The Day the Music Died
By floor9 on Jun 24, 2007 in Media, Technology
It’s actually this Tuesday, June 26th. On that day, thousands of Internet broadcasters are going to go silent in protest of a massive royalty rake hike. Internet broadcasters will be liable for royalties of .08 cent per performance retroactive to the beginning of 2006. This increases annually to the final rate of .19 cent per performance in 2010. When you consider that a performance is defined as one song to one listener, you can see how these rates can add up quickly.
Take a station that plays “Ice Ice Baby” once an hour, every day of the year, to 1000 listeners. If this station were to go off the air today, it would owe roughly $11,826 in royalties alone. That’s $7008 for 2006 (24 songs per day x 365 days per year x 1000 listeners x $0.0008) and $4818 (24 x 365 x 1000 x $0.0011) for half of 2007. If this station continued through the end of 2007, the final amount would actually be $16,644. Now, considering that a typical station may very well play 12 - 15 songs per hour, a 1000-listener station would actually wind up with a royalty bill for a whopping $249,660.
That’s $134 per listener per year.
Again: One hundred thirty-four dollars per listener per year.
So who’s behind this? There are lots of responsible parties, but the ultimate authority may surprise you. It’s musicians. That’s right; the artists themselves are pushing for this through their mouthpiece of the RIAA. Online forums everywhere are full of finger-pointing and accusations (”It’s the neocons!” “It’s the liberals!” “It’s terrestrial broadcast corporations!”), but the simple fact is that the people making the money want more. I can’t say I really blame them — don’t we all want more money? — but there’s a bigger issue here:
The Harrisburg / Carlisle / Lebanon radio metro area has about 560,800 listeners (even more if you count those under 12 years of age). Now, it’s been a while since my Broadcast Communications classes, but if I’m interpreting the Winter 2007 Arbitron ratings correctly, then the Harrisburg Clear Channel music stations have roughly 125,000 listeners. If they were all Internet radio stations, that would mean royalties of about $21.7 million for 2006 and 2007. Truly a drop in the bucket for a company with just shy of $2 billion EBIDTA for 2006.
Which is what makes this next part that much more interesting. The RIAA, in a suicidal fit of … well, I don’t really know what, has announced that they will be taking on terrestrial broadcasters next. From the LA Times article:
Broadcasters are already girding for the fight, expected to last more than a year. In a letter to lawmakers this month, the National Assn. of Broadcasters dubbed the royalties a “performance tax” that would upend the 70-year “mutually beneficial relationship” between radio stations and the recording industry.
“The existing system actually provides the epitome of fairness for all parties: free music for free promotion,” wrote NAB President David Rehr.
Them’s fightin’ words. Of course, they’re coming from the man who just recently said that “The (National Association of Broadcasters) recognize the importance of going on offense – of advancing our interests going forward and using the NAB as a vehicle for positive change for radio.” Speaking against Internet radio, he added “We will beat you”.
So what’s going to happen? It’s anyone’s guess. Unless things change, Internet radio is very likely going to be wiped out. That’s not even really a question. The question is actually whether the rest of the broadcast industry will be held equally responsible. As it stands now, the average terrestrial broadcaster pays royalties of around $1.56 per listener (2006), while the average Internet radio station will pay around $8.91 per listener. In just three more years, both numbers will go up; a feeble $1.94 (terrestrial) compared to a whopping $15.59 (Internet).
Make no mistake about it: Terrestrial broadcasters are gigantic. They’re well-versed in legal matters and licensing issues. But they’re going up against the master of license litigation. The RIAA takes what it wants. This is going to be a complex and expensive war, and it’s one that terrestrial radio will have to fight while simultaneously fighting decreased listenership and attempting to convince people to switch to HD radio (an effort that is failing miserably).
The supplier is attacking the buyer. The buyer is attacking the seller. Both have a critical need for the other; each would virtually cease to exist without the other. Who wins?
Not you.

Yet another prime example of how greed in this country (heck, around the world) has gotten totally, totally out of control. If it wasn’t for internet radio, I wouldn’t have **PURCHASED** many of the CDs I own because I simply wouldn’t have known about the artists otherwise. How are people suppose to buy your product if they don’t know about it first?!? Biting the hand that feeds you never ends well…
And I won’t even touch the out of control fascist-esque RIAA issue…
One bright spot in all of this is that this could actually lead to a better, more creative music scene in the long run. Looking back through history, dark, desperate times have created just that…
dskillz | Jun 24, 2007 | Reply
This is really the worst possible move the RIAA could make. They are taking extreme measures because their very own existence is on the endangered list.
If anything, Internet broadcasters should be held to the same standards as terrestrial radio. This is a mega slap in the face to all internet users, but I think it’s just the industry trying to take it out on all the downloaders.
F*CK THE RIAA!!!
Mike | Jun 25, 2007 | Reply
I agree that Internet broadcasters should be liable for licensing fees. This, however, is asinine. The discrepancy between what terrestrial broadcasters pay and what Internet radio pays, even when adjusting for the vast difference in number of listeners, is astounding. As the article said, however, the RIAA *has* set its sights on terrestrial broadcasters next.
I remain firm in my assignment of blame to the performers. Nobody’s forcing them to belong to the RIAA. The industry as a whole has handled online distribution very poorly, and as such is rapidly progressing towards implosion. I wouldn’t be too shocked if we see a government bailout of the recording industry within the next decade.
floor9 | Jun 25, 2007 | Reply
Does this count for local garage bands as well? I can’t believe some of these local acts would push for this when for many it’s their only chance at national exposure without touring. If it’s only for artists paying their RIAA dues Internet broadcasters can get around this very easily. How many small, local bands are making their own CDs and looking for exposure? Quit playing the big artists, and stick to the little guys.
Justina | Jun 26, 2007 | Reply
What you have to understand about the RIAA is that they exist for the sole purpose of making money for the recording industry. That’s labels, artists, and distrubutors. When they do things like this, it’s to generate more revenue for their members. Every lawsuit, every fee, every rate hike — it’s all for the artists.
So yes: if a given local garage band belongs to the RIAA, then they’re to blame too.
And before anyone starts crying over it: An individual band can not be a member of the RIAA (at least to my knowledge). But they *can* choose to sign with an RIAA-member label. It’s guilt by association — just like someone who simultaneously shops at Wal-Mart and decries their treatment of employees.
The problem with “the little guys” is that there’s an awful lot of crap out there. Sure, there are some real gems, but I don’t enjoy sifting through a few thousand tracks to find one I like. Worse, most of the indie dance tracks are just awful. We all know what the default patterns on a 303 and a 909 sound like; looping them in varying arrangements does not a quality track make.
floor9 | Jun 26, 2007 | Reply